The theme of this series is “Chinese Political Posters”, and consists of twelve works, each depicting a nude model (six male and six female), to which posters from a specific period in Chinese cultural history are digitally grafted onto the modelʼs bodies.

The nude model is symbolic to neutral prejudice; a blank sheet of paper, influenced only by the images and slogans depicted within the posters, to which he/she is/has been subjected.

The first of these artworks to have been completed is “Modernization (1978-1988)". All of the works are C-Type chromogenic archival digital prints, framed behind glass, signed on the rear by both artists and issued with a Certificate of Authenticity.